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How traditional Indigenous education helped four lost children survive 40 days in the Amazon jungle

<p><a href="https://theconversation.com/profiles/eliran-arazi-1447346">Eliran Arazi</a>, <em><a href="https://theconversation.com/institutions/hebrew-university-of-jerusalem-855">Hebrew University of Jerusalem</a></em></p> <p>The discovery and rescue of <a href="https://www.reuters.com/world/americas/four-missing-colombian-children-found-alive-jungle-sources-2023-06-10/">four young Indigenous children</a>, 40 days after the aircraft they were travelling in crashed in the remote Colombian rainforest, was hailed in the international press as a “<a href="https://www.lemonde.fr/en/international/article/2023/06/11/miracle-in-the-jungle-colombia-celebrates-rescue-of-children-lost-in-amazon-rainforest_6030840_4.html">miracle in the jungle</a>”. But as an anthropologist who has spent more than a year living among the Andoque people in the region, <a href="https://www.academia.edu/100474974/Amazonian_visions_of_Visi%C3%B3n_Amazon%C3%ADa_Indigenous_Peoples_perspectives_on_a_forest_conservation_and_climate_programme_in_the_Colombian_Amazon">conducting ethnographic fieldwork</a>, I cannot simply label this as a miraculous event.</p> <p>At least, not a miracle in the conventional sense of the word. Rather, the survival and discovery of these children can be attributed to the profound knowledge of the intricate forest and the adaptive skills passed down through generations by Indigenous people.</p> <p>During the search for the children, I was in contact with Raquel Andoque, an elder <em>maloquera</em> (owner of a ceremonial longhouse), the sister of the children’s great-grandmother. She repeatedly expressed her unwavering belief the children would be found alive, citing the autonomy, astuteness and physical resilience of children in the region.</p> <p>Even before starting elementary school, children in this area accompany their parents and elder relatives in various activities such as gardening, fishing, navigating rivers, hunting and gathering honey and wild fruits. In this way the children acquire practical skills and knowledge, such as those demonstrated by Lesly, Soleiny, Tien and Cristin during their 40-day ordeal.</p> <p>Indigenous children typically learn from an early age how to open paths through dense vegetation, how to tell edible from non-edible fruits. They know how to find potable water, build rain shelters and set animal traps. They can identify animal footprints and scents – and avoid predators such as jaguars and snakes lurking in the woods.</p> <p>Amazonian children typically lack access to the sort of commercialised toys and games that children in the cities grow up with. So they become adept tree climbers and engage in play that teaches them about adult tools made from natural materials, such as oars or axes. This nurtures their understanding of physical activities and helps them learn which plants serve specific purposes.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="A youg girl holding up an insect as her family works alongside" /><figcaption><span class="caption">A local Indigenous girl on an excursion to gather edible larvae.</span> <span class="attribution"><span class="source">Image courtesy of Eliran Arazi</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>Activities that most western children would be shielded from – handling, skinning and butchering game animals, for example – provide invaluable zoology lessons and arguably foster emotional resilience.</p> <h2>Survival skills</h2> <p>When they accompany their parents and relatives on excursions in the jungle, Indigenous children learn how to navigate a forest’s dense vegetation by following the location of the sun in the sky.</p> <figure class="align-left zoomable"><a href="https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=551&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=551&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=551&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=692&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=692&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=692&amp;fit=crop&amp;dpr=3 2262w" alt="Map of the Middle Caqueta region of Colombia." /></a><figcaption><span class="caption">Map showing where in Colombia the four lost children are from.</span> <span class="attribution"><span class="source"> Gadiel Levi</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>Since the large rivers in most parts of the Amazon flow in a direction opposite to that of the sun, people can orient themselves towards those main rivers.</p> <p>The trail of footprints and objects left by the four children revealed their general progression towards the Apaporis River, where they may have hoped to be spotted.</p> <p>The children would also have learned from their parents and elders about edible plans and flowers – where they can be found. And also the interrelationship between plants, so that where a certain tree is, you can find mushrooms, or small animals that can be trapped and eaten.</p> <h2>Stories, songs and myths</h2> <p>Knowledge embedded in mythic stories passed down by parents and grandparents is another invaluable resource for navigating the forest. These stories depict animals as fully sentient beings, engaging in seduction, mischief, providing sustenance, or even saving each other’s lives.</p> <p>While these episodes may seem incomprehensible to non-Indigenous audiences, they actually encapsulate the intricate interrelations among the forest’s countless non-human inhabitants. Indigenous knowledge focuses on the interrelationships between humans, plants and animals and how they can come together to preserve the environment and prevent irreversible ecological harm.</p> <p>This sophisticated knowledge has been developed over millennia during which Indigenous people not only adapted to their forest territories but actively shaped them. It is deeply ingrained knowledge that local indigenous people are taught from early childhood so that it becomes second nature to them.</p> <p>It has become part of the culture of cultivating and harvesting crops, something infants and children are introduced to, as well as knowledge of all sort of different food sources and types of bush meat.</p> <h2>Looking after each other</h2> <p>One of the aspects of this “miraculous” story that people in the west have marvelled over is how, after the death of the children’s mother, the 13-year-old Lesly managed to take care of her younger siblings, including Cristin, who was only 11 months old at the time the aircraft went down.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="Three Indigenous people in western clothes stood under trees in front of a wide building." /><figcaption><span class="caption">Iris Andoque Macuna with her brother Nestor Andoque and brother-in-law Faustino Fiagama after the two men returned from the search team.</span> <span class="attribution"><span class="source">Iris Andoque Macuna.</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>But in Indigenous families, elder sisters are expected to act as surrogate mothers to their younger relatives from an early age. Iris Andoke Macuna, a distant relative of the family, told me:</p> <blockquote> <p>To some whites [non-Indigenous people], it seems like a bad thing that we take our children to work in the garden, and that we let girls carry their brothers and take care of them. But for us, it’s a good thing, our children are independent, this is why Lesly could take care of her brothers during all this time. It toughened her, and she learned what her brothers need.</p> </blockquote> <h2>The spiritual side</h2> <p>For 40 days and nights, while the four children were lost, elders and shamans performed rituals based on traditional beliefs that involve human relationships with entities known as <em>dueños</em> (owners) in Spanish and by various names in native languages (such as <em>i'bo ño̰e</em>, meaning “persons of there” in Andoque).</p> <p>These owners are believed to be the protective spirits of the plants and animals that live in the forests. Children are introduced to these powerful owners in name-giving ceremonies, which ensure that these spirits recognise and acknowledge relationship to the territory and their entitlement to prosper on it.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=3 2262w" alt="Woman in pink t-shirt sat on chair inside." /><figcaption><span class="caption">Raquel Andoke, a relative of the missing children and friend of the author.</span> <span class="attribution"><span class="source">Image courtesy of Eliran Arazi</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>During the search for the missing children, elders conducted dialogues and negotiations with these entities in their ceremonial houses (<em>malocas</em>) throughout the <a href="https://www.researchgate.net/figure/Middle-and-Lower-Caqueta-River-region-State-of-Amazonas-Colombia-Map-from_fig1_255580310">Middle Caquetá</a> and in other Indigenous communities that consider the crash site part of their ancestral territory. Raquel explained to me:</p> <blockquote> <p>The shamans communicate with the sacred sites. They offer coca and tobacco to the spirits and say: “Take this and give me my grandchildren back. They are mine, not yours.”</p> </blockquote> <p>These beliefs and practices hold significant meaning for my friends in the Middle Caquetá, who firmly attribute the children’s survival to these spiritual processes rather than the technological means employed by the Colombian army rescue teams.</p> <p>It may be challenging for non-Indigenous people to embrace these traditional ideas. But these beliefs would have instilled in the children the faith and emotional fortitude crucial for persevering in the struggle for survival. And it would have encouraged the Indigenous people searching for them not to give up hope.</p> <p>The children knew that their fate did not lie in dying in the forest, and that their grandparents and shamans would move heaven and earth to bring them back home alive.</p> <p>Regrettably, this traditional knowledge that has enabled Indigenous people to not only survive but thrive in the Amazon for millennia is under threat. Increasing land encroachment for agribusiness, mining, and illicit activities as well as state neglect and interventions without Indigenous consent have left these peoples vulnerable.</p> <p>It is jeopardising the very foundations of life where this knowledge is embedded, the territories that serve as its bedrock, and the people themselves who preserve, develop, and transmit this knowledge.</p> <p>Preserving this invaluable knowledge and the skills that bring miracles to life is imperative. We must not allow them to wither away.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/207762/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/eliran-arazi-1447346">Eliran Arazi</a>, PhD researcher in Anthropology, Hebrew University of Jerusalem and the School for Advanced Studies in the Social Sciences (Paris)., <em><a href="https://theconversation.com/institutions/hebrew-university-of-jerusalem-855">Hebrew University of Jerusalem</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-traditional-indigenous-education-helped-four-lost-children-survive-40-days-in-the-amazon-jungle-207762">original article</a>.</em></p> <p><em>Images: Getty</em></p>

Caring

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Indigenous artist seeking white Australian to donate their “future deceased body” to an art installation

<p dir="ltr">An Indigenous artist has put a call out for Australians of “British descent” to donate their “future deceased body” to an art installation. </p> <p dir="ltr">Nathan Maynard, a well known Palawa artist and playwright, put an advertisement for the unusual request in the weekend edition of The Age newspaper.</p> <p dir="ltr">Maynard signed the bizarre request as a “palawa” artist: one of the terms First Nations people from Tasmania use when referring to themselves.  </p> <p dir="ltr">“Palawa artist wanting to find an Australian of British descent who is willing to donate their future deceased body to an art installation,” the notice read. </p> <p dir="ltr">“The work will speak to sacrifice for past sins perpetrated against the palawa. Potential applicants should see this opportunity as an honour.”</p> <p dir="ltr">“The body and memory of the successful applicant will be treated with the utmost respect at all stages of the project.”</p> <p dir="ltr">The call-out was quick to spark backlash when it was reposted on social media, with one writing, “You can’t just obtain bodies for display in newspapers now. This is very bizarre on multiple levels.”</p> <p dir="ltr">Others questioned the legality of the request, with one person writing, “I dunno that this would be legal, tampering with a corpse is a crime! You can donate your body to medical science, but I don’t think this.” </p> <p dir="ltr">Another wrote, “Borderline psychotic, definitely completely illegal.”</p> <p dir="ltr">Despite the criticism, Mr Maynard told Daily Mail Australia that since the notice went to print, he has received half a dozen applications for their body to be used in the installation in November. </p> <p dir="ltr">The artist said if white Australians are upset by the request, they should ask themselves why they didn't have the same reaction to the mass murder of Aboriginal people. </p> <p dir="ltr">“If you’re not an Aboriginal person and you’re upset by this, I think you should ask yourself why you’re not upset that there is still First Nations remains that have been stolen from their people, stolen from their country in institutions all around the world that are still not repatriated to their own communities,” he said.</p> <p dir="ltr">Nathan said the motivation behind his installation revolves around the fact that thousands of First Nations people were killed by colonists, with their remains being sent overseas to be displayed in institutions and museums without a proper ceremony. </p> <p dir="ltr">“So many Aboriginal people's remains are still overseas. People are trying to bring their ancestors home and they are being denied that right,” Mr Maynard said. </p> <p dir="ltr">“Human bodies are very sacred and they should be treated with respect.”</p> <p dir="ltr">“Whitefellas obviously don't know how to handle remains with respect, so I'm going to show them how,” he said. </p> <p dir="ltr">The artwork has already received support from the state-funded Tasmanian Museum and Gallery and the Hobart City Council, which has donated $15,000 to the unusual installation.</p> <p dir="ltr">The artwork has been commissioned to appear as part of an exhibition for the popular Hobart Current biennial exhibition in November 2023. </p> <p dir="ltr"><em>Image credits: Facebook / The Age</em></p>

Music

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Kate Walsh shares how she met the Australian love of her life

<p>Kate Walsh has revealed how she first crossed paths with her Australian fiancé, Andrew Nixon. </p> <p>On an episode of Kelly Clarkson’s talk show, the American actress -  best known for her role as Addison Montgomery on <em>Grey’s Anatomy</em> - confirmed the rumour that the two had met on a journey to Antarctica. </p> <p>“We were on a ship to the Antarctic,” she told Kelly when the singer expressed her disbelief, “and that's how I met him.”</p> <p>The trip took place in early 2020, and Kate explained how she had wanted to see Antarctica in the wake of the planet’s climate crisis, having already visited the Arctic. </p> <p>Kate shared some of the highlights from her trip, featuring everything from the animals to the scenery - including, of course, love at first sight. </p> <p>"It was incredible,” she said, “it was an incredible trip and then bonus, you know, found the love of my life. Saw the penguins, check. Ice, check. Whales, check. Man, check.”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/B8eg95UnsAY/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/B8eg95UnsAY/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Kate Walsh (@katewalsh)</a></p> </div> </blockquote> <p>The couple got engaged in 2022, with the 54-year-old actress revealing the news during an Instagram Live in October. Andrew Nixon, a Western Australian farmer and Kate’s fiancé, made an appearance in the video. </p> <p>Speaking with Kelly, Kate opened up about living in Australia, and how driving on the left side of the road has proven to be quite the change for the actress, admitting that it’s often as though “some old operating system clicks in”.</p> <p>Kate initially moved to Australia a month after the Antarctica trip. She was visiting friends and exploring the Margaret River when COVID-19 cases broke out across the country, and she made the decision to buy a property when lockdowns were enforced.</p> <p>"I got a little place up here in Perth and that's where I am," Kate told 9Honey Celebrity at the time,  "and I have to say, I love it. I really love Perth.”</p> <p>Kate and Andrew now live together in Perth, and made their red carpet debut as a couple in December for season 3 of Kate’s hit Netflix show <em>Emily in Paris</em>. </p> <p>Andrew posted a photo from the event, of the two of them smiling and matching in grey outfits. Fans were delighted to see the pair so happy together, with Kate commenting, “we cute.” </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CmCDkkdLcp2/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CmCDkkdLcp2/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Andrew Nixon (@andynix1)</a></p> </div> </blockquote> <p>Despite Andrew’s post, and the occasional appearance in Kate’s Instagram Lives, the farmer of over 30 years is primarily kept private when it comes to what Kate shares with her audience. </p> <p>Whatever their reasons, the couple appear to be happier than even. No wedding date has been announced, but supporters are eager for news, and thrilled for this exciting new chapter in their lives. </p> <p><em>Image: Getty Images, Instagram</em></p>

Relationships

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Locking up kids has serious mental health impacts and contributes to further reoffending

<p><em>This article contains information on violence experienced by First Nations young people in the Australian carceral system. There are mentions of racist terms, and this piece also mentions self harm, trauma and suicide.</em></p> <p>The ABC Four Corners report “<a href="https://www.abc.net.au/news/2022-11-14/locking-up-kids:-australias-failure-to-protect/101652954" target="_blank" rel="noopener">Locking up Kids</a>” detailed the horrific conditions for young Aboriginal people in the juvenile justice system in Western Australia.</p> <p>The report was nothing new. In 2016, <a href="https://www.abc.net.au/news/2016-07-25/australias-shame-promo/7649462" target="_blank" rel="noopener">Four Corners</a> detailed the brutalisation of Aboriginal people in the Northern Territory’s Don Dale Youth Detention Centre, in its episode “Australia’s Shame”. Also in 2016, <a href="https://www.amnesty.org.au/amnesty-international-welcomes-queensland-youth-detention-review/" target="_blank" rel="noopener">Amnesty International</a> detailed the abuse children were receiving in Queensland’s juvenile detention facilities.</p> <p>Children should be playing, swimming, running and exploring life. They do not belong behind bars. Yet, on any given day in 2020-21, an average of <a href="https://www.aihw.gov.au/reports/youth-justice/youth-justice-in-australia-2020-21/contents/summary" target="_blank" rel="noopener">4,695</a> young people were incarcerated in Australia. Most of the young people incarcerated are Aboriginal and Torres Strait Islander.</p> <p>Despite Aboriginal and Torres Strait Islander young people in WA making up just <a href="https://www.aihw.gov.au/reports/youth-justice/youth-justice-in-australia-2020-21/contents/state-and-territory-fact-sheets/western-australia" target="_blank" rel="noopener">6.7%</a> of the population, they account for <a href="https://www.oics.wa.gov.au/wp-content/uploads/2021/05/Banksia-Hill-2020-002.pdf" target="_blank" rel="noopener">more than 70%</a> of youth locked up in Perth’s Banksia Hill Juvenile Detention Centre.</p> <p><a href="https://search.informit.org/doi/abs/10.3316/agispt.20211109056541" target="_blank" rel="noopener">The reasons</a> so many Aboriginal and Torres Strait Islander peoples are detained are linked to the impacts of colonisation, such as intergenerational trauma, ongoing racism, discrimination, and unresolved issues related to self-determination.</p> <p>The Four Corners documentary alleged children in detention were exposed to abuse, torture, solitary confinement and other degrading treatment such as “folding”, which involves bending a person’s legs behind them before sitting on them – we saw a grown man sitting on a child’s legs in this way in the documentary.</p> <p>The documentary also found Aboriginal young people were more likely to be held in solitary confinement, leading to the young people feeling helpless. Racism was also used as a form of abuse, with security calling the young detainees apes and monkeys. One of the young men detained at Banksia Hill expressed the treatment he received made him consider taking his own life.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">No action taken against Don Dale guards over 'excessive force' in fresh Four Corners vision <a href="https://t.co/RdJgN8vQhu">https://t.co/RdJgN8vQhu</a></p> <p>— Sarah Collard (@Sarah_Collard_) <a href="https://twitter.com/Sarah_Collard_/status/1592451372808802305?ref_src=twsrc%5Etfw">November 15, 2022</a></p></blockquote> <p><strong>How does incarceration impact young people’s mental health?</strong></p> <p>Many young people enter youth detention with pre-existing neurocognitive impairments (such as <a href="https://theconversation.com/indigenous-youth-with-foetal-alcohol-spectrum-disorder-need-indigenous-run-alternatives-to-prison-56615" target="_blank" rel="noopener">foetal alcohol spectrum disorder</a>), trauma, and poor mental health. More than <a href="https://journals.sagepub.com/doi/abs/10.1080/10398560902948696" target="_blank" rel="noopener">80%</a> of Aboriginal and Torres Strait Islander young people in a Queensland detention centre reported mental health problems.</p> <p>Data from the Australian Institute of Health and Welfare revealed that more than <a href="https://www.aihw.gov.au/reports/youth-justice/young-people-in-child-protection/summary" target="_blank" rel="noopener">30%</a> of young people in detention were survivors of abuse or neglect. Rather than supporting the most vulnerable within our community, the Australian justice system is <a href="https://search.informit.org/doi/abs/10.3316/agispt.20211109056541" target="_blank" rel="noopener">imprisoning traumatised</a> and often developmentally compromised young people.</p> <p><a href="https://reader.elsevier.com/reader/sd/pii/S027273581300010X?token=9CBCD682BF76BBE308B2073C2A3980D63745C157813CAC79F171AA4577C849EC40D0B848B6DB0D009AFACC05B8BC6185&amp;originRegion=us-east-1&amp;originCreation=20221116031322" target="_blank" rel="noopener">Research</a> has shown pre-existing mental health problems are likely exacerbated by experiences during incarceration, such as isolation, boredom and victimisation.</p> <p>This inhumane treatment brings about retraumatisation of the effects of colonisation and racism, with feelings of <a href="https://www.parliament.vic.gov.au/images/stories/committees/SCLSI/Youth_Justice_System/Submissions/Submission_44-Parkville_College.pdf" target="_blank" rel="noopener">hopelessness</a>, worthlessness and <a href="https://www.aph.gov.au/Parliamentary_Business/Committees/Senate/Community_Affairs/completed_inquiries/2004-07/inst_care/report2/c06" target="_blank" rel="noopener">low self-esteem</a>.</p> <p>Youth detention is also associated with an <a href="https://www.ranzcp.org/news-policy/news/detention-of-children-in-adult-prisons-must-stop#:%7E:text='Youth%20detention%20is%20associated%20with,substance%20use%2C%20and%20behavioural%20disorders." target="_blank" rel="noopener">increased risk</a> of suicide, psychiatric disorders, and drug and alcohol abuse.</p> <p>Locking young people up during their <a href="https://www.cypp.unsw.edu.au/sites/ypp.unsw.edu.au/files/Cunneen%20%282017%29%20Arguments%20for%20raising%20the%20minimum%20age%20of%20criminal%20responsibility.pdf" target="_blank" rel="noopener">crucial years</a> of development also has long-term impacts. These include poor emotional development, poor education outcomes, and worse mental health <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5260153/" target="_blank" rel="noopener">in adulthood</a>. As adults, post-release Aboriginal and Torres Strait Islander peoples are <a href="https://onlinelibrary.wiley.com/doi/pdf/10.1111/j.1467-842X.2004.tb00629.x" target="_blank" rel="noopener">ten times</a> more likely to die than the general population, with suicide the leading cause of death.</p> <p>You don’t have to look far to see the devastating impacts of incarceration on mental health. Just last year, there were <a href="https://www.parliament.wa.gov.au/Hansard/hansard.nsf/0/A4A8FAAE33FDD6BE48258844001C7E29/$File/C41%20S1%2020220511%20All.pdf" target="_blank" rel="noopener">320 reports</a> of self-harm at Banksia Hill, WA’s only youth detention centre.</p> <p><strong>Locking up kids increases the likelihood of reoffending</strong></p> <p>Imprisoning young offenders is also associated with future <a href="https://www.sciencedirect.com/science/article/pii/S027273581300010X?casa_token=TJ6WoQJnWnsAAAAA:NKTzeYv-LJcHuwT7Xs5fxeHUx9lHsKzVlQDpLpWPyG7u4KAXb1866s-sdupwbQmcbPR93qArg99O" target="_blank" rel="noopener">offending behaviours</a> and <a href="https://www.aph.gov.au/Parliamentary_Business/Committees/Committees_Exposed/atsia/sentencing/report/chapter2" target="_blank" rel="noopener">continued contact with the justice system</a>.</p> <p>Without proper rehabilitation and support post-release, Aboriginal and Torres Strait Islander young peoples often return to the same conditions that created the patterns of offending in the first place.</p> <p>Earlier this year, the head of Perth Children’s Court, Judge Hylton Quail <a href="https://www.abc.net.au/news/2022-02-10/hylton-quail-slams-conditions-banksia-hill-detention-centre/100819262" target="_blank" rel="noopener">condemned</a> the treatment of a young person in detention at Banksia Hill, stating:</p> <blockquote> <p>When you treat a damaged child like an animal, they will behave like an animal […] When you want to make a monster, this is how you do it.</p> </blockquote> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Today marks 5 years since the recommendations of the Royal Commission into the Detention and Protection of Children in the NT, which recommended closing Don Dale.<br />We now have record numbers of Aboriginal children incarcerated due to punitive bail laws introduced last year. <a href="https://t.co/buxMFFucW7">pic.twitter.com/buxMFFucW7</a></p> <p>— NAAJA (@NAAJA_NT) <a href="https://twitter.com/NAAJA_NT/status/1593059263223844864?ref_src=twsrc%5Etfw">November 17, 2022</a></p></blockquote> <p><strong>What needs to be done?</strong></p> <p>There needs to be substantive change in how young people who come in contact with the justice system are treated. We need governments to commit, under <a href="https://www.closingthegap.gov.au/national-agreement" target="_blank" rel="noopener">Closing the Gap</a>, to whole-of-system change through:</p> <ol> <li> <p>recognising children should not be criminalised at ten years old. The <a href="https://raisetheage.org.au/campaign" target="_blank" rel="noopener">Raise the Age</a> campaign is calling for the minimum age of responsibility to be raised to 14. Early prevention and intervention <a href="https://search.informit.org/doi/abs/10.3316/agispt.20211109056541" target="_blank" rel="noopener">approaches</a> are necessary here. Children who are at risk of offending should be appropriately supported, to reduce pathways to offending.</p> </li> <li> <p>an approach addressing <em>why</em> young Aboriginal and Torres Strait Islander peoples are locked up in such great numbers is required, driven by respective First Nations communities. This means investing in housing, health, education, transport and other essential services and crucial aspects of a person’s life. An example of this is found in a pilot program in New South Wales called <a href="https://www.justreinvest.org.au/wp-content/uploads/2022/10/JRNSW-I-Reinvestment-Forum-I-Report.pdf" target="_blank" rel="noopener">Redefining Reinvestment</a>, which tackled the social determinants of incarceration using a community approach.</p> </li> <li> <p>future solutions must be trauma-informed and led by Aboriginal and Torres Strait Islander peoples.</p> </li> </ol> <p>Aboriginal and Torres Strait Islander children are not born criminals. They are born into systems that fail them, in a country that all too often turns a blind eye before locking them up.</p> <p>The Australian government needs to work with First Nations communities to ensure the safety and wellbeing of all Aboriginal and Torres Strait Islander peoples, including our future generations.</p> <p><em>If this article has caused distress, please contact one of these helplines: <a href="https://www.13yarn.org.au/?gclid=Cj0KCQiAsdKbBhDHARIsANJ6-jfrUNMB9So6Gd1ICVQPd6uvGbfEaceXNR0BNYnEVCoxnMs7eiMmv20aAjDaEALw_wcB">13yarn</a>, <a href="https://www.lifeline.org.au/">Lifeline</a>, <a href="https://headspace.org.au/?gclid=Cj0KCQiAsdKbBhDHARIsANJ6-jdx8qmNF8hzPZNjURGbT9af0wT_xGUjDU26wX5Eftykygb35_OPLccaAp5uEALw_wcB">Headspace</a></em><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/194657/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em>Writen by Summer May Finlay, </em><em>Ee Pin Chang, Jemma Collova </em><em>and Pat Dudgeon. Republished with permission from <a href="https://theconversation.com/locking-up-kids-has-serious-mental-health-impacts-and-contributes-to-further-reoffending-194657" target="_blank" rel="noopener">The Conversation</a>.</em></p> <p> </p> <p><em>Image: Getty Images</em></p>

Mind

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“I want to go back”: Novak Djokovic weighs in on Australian visa outcome

<p dir="ltr">Novak Djokovic has said he was “very happy” to find out that he will be allowed to compete at the Australian Open next year, after he was granted a visa that lets him return to the country.</p> <p dir="ltr">The World No.1 was barred from entering Australia until 2025 after being at the centre of a major international drama ahead of this year’s Australian Open, which saw him being held in a detention centre for attempting to enter the country without being vaccinated.</p> <p dir="ltr">But, Djokovic will now be able to go for his record-extending 10th Australian Open title after receiving the visa and has said he couldn’t have received “better news”.</p> <p dir="ltr">“It’s a relief, obviously, knowing what I and people closest to me in my life have been through this year with what happened in Australia and post-Australia obviously,” he said after defeating Andrey Rublev at the ATP Finals in Turin.</p> <p dir="ltr">"I could not receive better news for sure — during this tournament as well. [The] Australian Open has been my most successful grand slam. I made some of the best memories there.</p> <p dir="ltr">"Of course, I want to go back there, I want to play tennis, do what I do best, hopefully have a great Australian summer.</p> <p dir="ltr">"I'm always thankful to go through experiences, no matter what the experiences are. I try to be optimistic and positive in life.</p> <p dir="ltr">"I look forward to starting the new year in Australia, and we'll see how the next year goes."</p> <p dir="ltr">Having received the news before the match, where Djokovic beat Rublev 6-4, 6-1 to qualify for the semi-finals, the 35-year-old reckons the good news helped him perform on court.</p> <p dir="ltr">"Did it affect my game today? I would like to believe it did,” he said.</p> <p dir="ltr">“Why not? I don't think it did affect me too much because I'm familiar with what I need to do in order to prepare myself for every match.</p> <p dir="ltr">"Of course, knowing that I have clarity now, what I do in the off-season, starting the season in Australia, also of course it did relieve some of the pressure me and my team felt. Just giving that clarity makes it great for us."</p> <p dir="ltr">After missing out on this year’s competition, the Serbian athlete’s future in Australia has looked like a possibility since the government ended rules requiring overseas visitors to declare their Covid vaccination status in July.</p> <p dir="ltr">Earlier this week, Djokovic commented that he had received positive signs about the ban being overturned and his potential return.</p> <p><span id="docs-internal-guid-22a4009e-7fff-0279-d152-f1bb40eb3082"></span></p> <p dir="ltr"><em>Image: Twitter</em></p>

Travel Trouble

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Steve Martin discusses his love for Indigenous Australian art

<p dir="ltr">Comedian and actor Steve Martin has long been an avid art lover and collector. </p> <p dir="ltr">After making onto ARTnews Top 200 Collectors list several times in the 1990s, he has recently turned his attention to Indigenous Australian art and its deep cultural history. </p> <p dir="ltr">With his wife Anne Stringfield, he’s bought works by Indigenous artists such as Bill Whiskey Tjapaltjarri, Timo Hogan, Carlene West, Warlimpirrnga Tjapaltjarri, and Doreen Reid Nakamarra, among many others.</p> <p dir="ltr">His love for these works began almost 10 years ago, as he shared with <a href="https://www.artnews.com/art-news/news/actor-steve-martin-on-the-joys-and-the-difficulties-of-collecting-contemporary-indigenous-australian-art-1234644806/">ARTnews</a>.</p> <p dir="ltr">He said, “It all started with one picture by this artist, Warlimpirrnga Tjapaltjarri. I just really liked it, bought it, and hung it in our house for several years. I really didn’t know that there was a whole big funnel going back this way of its history.” </p> <p dir="ltr">“I hadn’t really seen anything like this before. And they were available, which is an aspect of the art world now that is the opposite—most things are unavailable. And I loved them. I thought they were great.”</p> <p dir="ltr">He said his collection, which includes over a hundred works, is “hard to improve” when dealing with art pieces that are increasingly rare. </p> <p dir="ltr">Some of the works he owns have been displayed in non-selling shows at Gagosian locations in New York and Beverly Hills, California, with Steve saying he “loves just getting these pictures seen” by like-minded art fans. </p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Art

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“I’ve tasted the faintest bitter edge of racism”: Ash Barty admits to being racially abused

<p dir="ltr">Ash Barty has confessed that she’s been on the receiving end of “bitter racism” after finding out about her Indigenous heritage. </p> <p dir="ltr">In her autobiography, <em>My Dream Time</em>, which will be published on November 2, Barty opens up about the moment she found out about her family’s past. </p> <p dir="ltr">The former tennis player said it was a difficult moment when her father searched for the truth and eventually told Barty and her sister which then led to “vile racism”. </p> <p dir="ltr">“I’ve seen glimpses and tasted the faintest bitter edge of racism” she wrote.</p> <p dir="ltr">“I’d win a Deadly Award but get vilified on line. I’d become a Tennis Australia First Nations Ambassador and then find some muppet calling my heritage into question.”</p> <p dir="ltr">The three-time Grand Slam winner said there was still a lot of work and educated needed to address the importance of Indigenous Australians. </p> <p dir="ltr">“There was no need for us to talk about that in the moment but it was certainly something that confused me a little bit as to why someone would criticise something that is so personal to me,” she told NewsCorp.</p> <p dir="ltr">“Looking back now it’s all about the education and giving people the tools to understand others and appreciate what came before us.”</p> <p dir="ltr">Barty went on to reveal that her trip to Central Australia where she worked with First Nations children was when she was convinced of a connection with them. </p> <p dir="ltr">“If anything it has just reassured to me that the path I want to go down in the future is to try and help First Nations youth around the country.”</p> <p dir="ltr">Eventually, Barty found out of her Indigenous heritage when her father Rob traced back his roots. </p> <p dir="ltr">At 13 he was told by a cousin that there was Indigenous heritage in the family but his parents denied it, claiming their connection was only to Māoris in New Zealand. </p> <p dir="ltr">Rob did not accept that and went on to trace back his family history where he found out that his great grandmother was an Indigenous Australian who married a white man. </p> <p dir="ltr">Barty’s dad sat her and her sister down when she was just seven and told them the truth. </p> <p dir="ltr">The family then went on to record their names with the Ngarigu Nation. </p> <p dir="ltr">“It was not a conversation his parents could have with him,” she wrote.</p> <p dir="ltr">“To his parents, Aboriginal ancestry was something to be ashamed of and not something he should be curious about.”</p> <p dir="ltr"><em>Images: Instagram</em></p>

Family & Pets

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Australian man among 10 killed in Ireland explosion

<p dir="ltr">An Australian man has been identified as one of ten victims who died following an explosion at a petrol station in Ireland.</p> <p dir="ltr">James O’Flaherty, a 48-year-old who hailed from Sydney, died in the blast which police say occurred shortly after 3pm local time on Friday, October 7 at a petrol station in the village of Creeslough.</p> <p dir="ltr">The blast levelled the service station building, damaged an adjacent apartment building and shattered windows in nearby cottages.</p> <p dir="ltr">An additional eight people were injured in the explosion and hospitalised, with one person flown to Dublin in critical condition.</p> <p dir="ltr">An Garda Síochána, Ireland’s police force, released the names and photos of the ten victims, ranging in age from 5 to 59 years old.</p> <p><span id="docs-internal-guid-10645834-7fff-dd8f-bd18-3654d533e181"></span></p> <p dir="ltr">The victims included: James O’Flaherty, 48, Jessica Gallagher, 24, Martin McGill, 49, Catherine O’Donnell, 39, and her son James Monaghan, 13, Hugh Kelly, 59, Martina Martin, 49, Robert Garwe, 50, and his daughter Shauna Flanagan Garwe, five, and Leona Harper, 14.</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/10/ireland-victims1.jpg" alt="" /></p> <p dir="ltr"><em>James O’Flaherty, 48, Jessica Gallagher, 24, and Martin McGill, 49, were among the victims who died in the blast. Images: An Garda Síochána (Facebook)</em></p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/10/ireland-victims2.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>Catherine O’Donnell, 39, and her son 13-year-old James Monaghan, Hugh Kelly, 59, and Martina Martin, 49, were among the victims who died in the blast. Images: An Garda Síochána (Facebook)</em></p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/10/ireland-victims3.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>Robert Garwe, 50, his five-year-old daughter Shauna Flanagan Garwe, and 14-year-old Leona Harper were among the victims who died in the blast. Images: An Garda Síochána (Facebook)</em></p> <p dir="ltr">Mr O’Flaherty, who was living in Rinclevan, Dufanaghy, will be laid to rest on Wednesday.</p> <p dir="ltr">He is survived by his wife Tracey and son Hamish.</p> <p dir="ltr">As police investigate the cause of the blast, superintendent David Kelly said evidence “is pointing toward a tragic accident”.</p> <p dir="ltr">Irish police superintendent Liam Geraghty said the event has left locals traumatised.</p> <p dir="ltr">"It was a very, very traumatic scene that people came across," he said. </p> <p dir="ltr">"It was a very, very confusing, as you can imagine. And there was a lot of debris." </p> <p dir="ltr">Siobhan Carr, an eyewitness, said the area was covered in ash and “a puff of smoke”.</p> <p dir="ltr">"And just within seconds, people from the community had just come running up the roads," she said.</p> <p dir="ltr">"Cars stopped, people getting out of cars running towards the building to see who could help."</p> <p dir="ltr">Irish Prime Minister Micheál Martin said the incident has had a national impact and that the country is in mourning.</p> <p dir="ltr">"The entire nation is mourning and really shocked and deeply saddened," he said at the cordon surrounding the blast site.</p> <p dir="ltr">"The young child in the shop loses her life and two teenagers, along with men and women who are going about their lives as well." </p> <p dir="ltr">“It is a very close-knit community and our heart goes out to them.</p> <p dir="ltr">“Talking to those on the front line and everyone involved, they were very moved by the extraordinary support they got from the community here almost immediately.</p> <p dir="ltr">“Many volunteers rushed to the scene to try and do everything they could to help because it was a horrific scene they came upon and we must always remember our emergency services.”</p> <p dir="ltr"><span id="docs-internal-guid-a8e64f6b-7fff-35a3-26d3-b1f2a4a63ae2"></span></p> <p dir="ltr"><em>Image: An Garda Síochána (Facebook)</em></p>

News

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Artist reworks the classics to include Aboriginal women

<p dir="ltr">An Indigenous artist is reclaiming her heritage by reworking famous artworks to include Aboriginal women. </p> <p dir="ltr">Brandi Salmon, a Wiradjuri artist from Hobart, was first inspired to attempt these reimaginings after viewing numerous artworks about Aboriginal people that were created by non-Indigenous artists and that portrayed Aboriginal people in a negative light – in particular a 19th-century painting that depicts an Aboriginal person as a servant waiting in the presence of Captain James Cook. </p> <p dir="ltr">These negative depictions then led to the creation of a series of works celebrating Aboriginal people titled The Aunty Collection, which includes five famous paintings that feature Aboriginal women, often in regal positions and as the focal point of the artwork.</p> <p dir="ltr">After discovering her love of art as a child, Aboriginal presence in art became a focus when Ms Salmon attended university, where she studied creative arts.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CSJTBTkh32W/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CSJTBTkh32W/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <p dir="ltr">“A lot of the paintings I came across were paintings of Aboriginal people as servants," she told the <a href="https://www.abc.net.au/news/2022-09-13/artist-appropriates-famous-paintings-to-include-aboriginal-women/101394128">ABC</a>. </p> <p dir="ltr">“What you see in a lot of paintings from those periods is a style of art which depicts Aboriginal people in such a way that justifies the colonial project," said Tiriki Onus, head of the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne.</p> <p dir="ltr">"You will see Aboriginal people depicted in this almost animal-like, grotesque fashion that is indicative of a certain time period and romanticises invasion.”</p> <p dir="ltr">When Brandi first started The Aunty Collection for a university assignment, it evolved further than she ever imagined it would. </p> <p dir="ltr">"I wasn't taught how to do the traditional painting and I felt like I couldn't do it. I felt a need to create my own style," she said.</p> <p dir="ltr">The Aunty Collection now features paintings such as Botticelli's <em>The Birth of Venus</em> and Leonardo da Vinci's <em>Mona Lisa</em> re-imagined as strong and proud Aboriginal women.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CN42p4fhxAH/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CN42p4fhxAH/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CUH0MSIh2vC/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CUH0MSIh2vC/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <p dir="ltr">Brandi said, "If you think about the classical works, they often depict people and their everyday world to some extent."</p> <p dir="ltr">"A couple of hundred years ago we were being depicted as servants, and now we have the freedom to do The Aunty Collection."</p> <p dir="ltr">"I don't think I realised how much of an impact that would have."</p> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"><em>Image credits: Instagram</em><span id="docs-internal-guid-92d6872c-7fff-0194-caca-a9d72f7ea119"></span></p>

Art

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"Put it up properly!" PM criticised for public flag blunder

<p dir="ltr">Australian Prime Minister Anthony Albanese has come under fire after the Aboriginal flag was hung upside down on the first day of the Jobs and Skills Summit at Parliament House - made worse by the fact that no one in attendance seemed to notice the error either.</p> <p dir="ltr">The incorrectly-hung Indigenous flag was in the background displayed alongside the Australia and Torres Strait Islander flags as Mr Albanese addressed the 140 government and business leaders and was spotted in various selfies and photos taken on the day.</p> <p><span id="docs-internal-guid-6a78ef78-7fff-2c33-67d8-b5d595a52513">When correctly flown, the black half of the flag, <a href="https://aiatsis.gov.au/explore/aboriginal-flag" target="_blank" rel="noopener">representing</a> First Nations Australians, is meant to be at the top, with the red half, signifying the earth, at the bottom.</span></p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Loved joining this powerhouse of women speakers on the opening panel at the <a href="https://twitter.com/hashtag/jobssummit?src=hash&amp;ref_src=twsrc%5Etfw">#jobssummit</a>. Equity for women can’t wait ⁦<a href="https://twitter.com/SenKatyG?ref_src=twsrc%5Etfw">@SenKatyG</a>⁩ ⁦<a href="https://twitter.com/sammostyn?ref_src=twsrc%5Etfw">@sammostyn</a>⁩ ⁦<a href="https://twitter.com/emmafulu?ref_src=twsrc%5Etfw">@emmafulu</a> ⁦<a href="https://twitter.com/June_Oscar?ref_src=twsrc%5Etfw">@June_Oscar</a>⁩⁦<a href="https://twitter.com/leonora_risse?ref_src=twsrc%5Etfw">@leonora_risse</a>⁩<br />⁩ <a href="https://t.co/eVd6kDATfJ">pic.twitter.com/eVd6kDATfJ</a></p> <p>— Michele O'Neil (@MicheleONeilAU) <a href="https://twitter.com/MicheleONeilAU/status/1565152042347180034?ref_src=twsrc%5Etfw">September 1, 2022</a></p></blockquote> <p dir="ltr">It hung upside down until delegates left for the lunch break and was correctly displayed when they returned.</p> <p dir="ltr">Prominent Indigenous leaders called out the faux pas, including Coalition Senator Jacinta Price and Warren Mundine, a business leader and former Labor Party president.</p> <p dir="ltr">Senator Price, who has previously criticised Mr Albanese’s flying of the flag as empty symbolism, said it was ironic that the government went out of its way to show symbolic respect for Indigenous Australians, yet still made such an error.</p> <p dir="ltr">“With all the virtuous expression of respect for Aboriginal Australians... and all the carry on with strategically placing the flag prominently to express this deep virtue you’d think that this Albanese Government could actually hang it the right way up?” she said.</p> <p><span id="docs-internal-guid-ac92a209-7fff-5a3a-fd3d-4d50441b5373"></span></p> <p dir="ltr">“Especially at such a significant and groundbreaking event such as the job summit.”</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/09/albo-flag1.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>Various speakers were photographed in front of the incorrectly-hung Indigenous flag, which was corrected during the event’s lunch break. Images: @AlboMP (Twitter)</em></p> <p dir="ltr">Mr Mundine said he was shocked when the saw the flag on TV, describing the mistake as “ignorant” and “pathetic”.</p> <p dir="ltr">“How ignorant and pathetic is it that our national flag is treated this way… put it up properly!” he said.</p> <p dir="ltr">The Parliamentary Services Department, which was responsible for the error, later said the flag being upside down was the result of “an unfortunate human error”.</p> <p dir="ltr">“The incorrect mounting of the Aboriginal flag was due to an unfortunate human error. Once the error was identified, it was immediately corrected,” it said.</p> <p dir="ltr">While a flag flying upside down can signal that someone is in distress in the US and is sometimes used by protestors at rallies, the act is banned under all circumstances by the Australian flag protocols.</p> <p dir="ltr">Mr Albanese has been displaying the Aboriginal and Torres Strait Islander flags in parliament and at government events since becoming PM following the May election, with Indigenous MPs and leaders praising it as a long-overdue acknowledgement of First Nations culture and Australia’s history before British colonisation. </p> <p dir="ltr"><span id="docs-internal-guid-34d56c2f-7fff-7b7e-e9a5-06a678a4de7f"></span></p> <p dir="ltr"><em>Images: @AlboMP (Twitter)</em></p>

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Australian women are less likely to receive pre-hospital stroke care than men

<p>Paramedics are failing to recognise strokes in women as much as they do for men, according to a new <a href="https://newsroom.unsw.edu.au/news/health/women-less-likely-receive-pre-hospital-stroke-care-men" target="_blank" rel="noreferrer noopener">study</a> of New South Wales stroke patients. Researchers suggest that clinician sex bias might be the cause.</p> <p>In 2018 it was <a href="https://www.aihw.gov.au/reports/heart-stroke-vascular-diseases/hsvd-facts/contents/heart-stroke-and-vascular-disease-and-subtypes/stroke" target="_blank" rel="noreferrer noopener">estimated</a> that 387,000 Australians aged over 15 years had experienced a stroke at some point in their lives. The success of treatment is very time dependent, so it’s critical that patients suffering from stroke are identified as soon as possible, preferably before arriving at hospital.</p> <p>But according to the study by Australian researchers, women (aged under 70) suffering with stroke were less likely than men to receive stroke care management prior to hospital admission – despite being more likely to arrive at hospital by ambulance.</p> <p>This is concerning, as other research shows stroke outcomes are <a href="https://pubmed.ncbi.nlm.nih.gov/31719135/" target="_blank" rel="noreferrer noopener">generally worse</a> for women than men – with greater stroke-related disability and poorer subsequent quality of life.</p> <p>“Our study suggests that better recognition of stroke symptoms in women by ambulance staff could ensure the right treatment is started as early as possible and give them the best opportunity for recovery,” says lead author Dr Xia Wang, research fellow at The George Institute for Global Health in Sydney.</p> <p>There are two types of stroke: ischaemic stroke occurs when a vessel supplying blood to the brain becomes blocked, and haemorrhagic stroke occurs when one ruptures and begins to bleed. This can cause parts of the brain to die – resulting in impairment that can affect things like speech, movement, and communication – or can often be fatal.</p> <p>Thanks to development in medical research <a href="https://www.nhs.uk/conditions/stroke/treatment/" target="_blank" rel="noreferrer noopener">treatment for stroke</a> is changing, but the efficacy of these treatments is highly time-dependent and rapid and accurate pre-hospital assessment is critical for successful outcomes.</p> <p>“When stroke is not recognised early, delays can have serious consequences,” says co-author Dr Cheryl Carcel, senior research fellow and academic lead of the George Institute’s Global Brain Health Initiative.</p> <p>“Procedures for in-ambulance stroke care ensure patients with stroke symptoms are brought to a high-level specialised facility quickly to receive life-saving treatment.”</p> <p>In a population-based cohort study, researchers analysed data from more than  200,0000 patients (51% women) admitted to NSW hospitals between July 2005 and December 2018 and subsequently diagnosed as having a stroke.</p> <p>Just over half of all stroke patients were taken to hospital via ambulance, with women (52.4%) more likely than men (47.9%) to arrive this way.</p> <p>Despite this, women were less likely to receive stroke care management prior to hospital admission.</p> <p>“Among patients under 70 years of age, women were less likely than men to be assessed by paramedics as having a stroke, but there was no significant difference for older patients,” the authors say.</p> <p>Instead, they were more frequently assessed by paramedics as having conditions which mimic stroke – like headache or migraine, anxiety, and unconsciousness – which contributed to a delay in the recognition and treatment of stroke.</p> <p>There was no significant difference for older patients.</p> <p>Health professionals know that on initial presentation, <a href="https://pubmed.ncbi.nlm.nih.gov/31114842/" target="_blank" rel="noreferrer noopener">atypical clinical symptoms of stroke</a> occur more frequently in women. So, these findings could be due to a difference in symptoms, although it’s also possible that implicit sex bias exists amongst healthcare providers.</p> <p>“While there aren’t any studies looking at clinician sex bias in stroke, we have evidence from other countries where it is happening in <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3810172/" target="_blank" rel="noreferrer noopener">coronary artery disease</a>,” explains Carcel.</p> <p>This has also been <a href="https://www.sciencedirect.com/science/article/abs/pii/S0002870321001885?via%3Dihub" target="_blank" rel="noreferrer noopener">found</a> to be the case for myocardial infarction (heart attack), with women less likely to be assessed by paramedics as having MI than men.</p> <p>“Greater awareness among all health professionals about differences in symptom presentation between men and women could help address this bias,” concludes Carcel. “In the case of stroke, this is particularly important for ambulance staff, so that women are identified early and treatment is commenced even before they reach the hospital.”</p> <p>This article originally appeared on <a href="https://cosmosmagazine.com/people/australian-women-stroke-care/" target="_blank" rel="noopener">Cosmos</a>. </p> <p><em>Image: Getty</em></p>

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New Australian telescope to help find far-flung galaxies

<p dir="ltr">A new multi-lensed telescope will give Australian astronomers a new set of eyes to search for and study ultra-faint galaxies and astronomical objects in the southern hemisphere.</p> <p dir="ltr">Appropriately named the Huntsman Telescope, the instrument is made up of 10 Canon super-telephoto lenses and has begun science operations at the Siding Spring observatory in north-central NSW, near the town of Coonabarabran.</p> <p dir="ltr">Along with spying distant astronomical objects and galaxies, the telescope is expected to be used to view transient astronomical events, such as sudden explosions of stars.</p> <p dir="ltr">Scientists hope to use the Huntsman to further our understanding of how galaxies form and evolve, how they engage with structures around them, and what happens when galaxies collide.</p> <p dir="ltr">According to Dr Lee Spitler, the Principal Investigator of the Huntsman Telescope, the telescope’s work will be crucial for understanding what could happen if our Milky Way Galaxy ever collided with its neighbour, the Andromeda Galaxy, which is theorised to occur in 4.5 billion years.</p> <p dir="ltr">“The Huntsman Telescope is pioneering the way in which we view our Southern skies by capturing images of the faintest galaxy structures that conventional telescopes simply couldn’t,” Dr Spitler said in a <a href="https://spaceaustralia.com/index.php/news/new-huntsman-telescope-turns-its-eyes-sky" target="_blank" rel="noopener">statement</a>.</p> <p><span id="docs-internal-guid-b2b971d8-7fff-8d04-3a74-6ad790618068"></span></p> <p dir="ltr">“The ability to observe the remnants of galaxies colliding with each other and searching for the faintest and smallest galaxies in the Universe will help us understand the potential fate of the Milky Way in the far distant future.”</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/08/huntsman-telescope.jpg" alt="" /></p> <p dir="ltr"><em>The Huntsman Telescope looks deep into space at the Siding Spring Observatory. Image: Macquarie University</em></p> <p dir="ltr">Though named after a spider, PhD candidate Sarah Caddy said the Huntsman Telescope’s ten individual “eyes” was inspired by the northern hemisphere’s Dragonfly Array program, but its technology has been pushed even further.</p> <p dir="ltr">“The Huntsman’s new suite of powerful computers enable each lens or ‘eye’ of the Huntsman to operate independently of each other. This will allow the telescope to autonomously detect ultra-fast transient events like stellar flares from distant stars or even more exotic phenomena like aiding the search for origin of fast radio bursts that continue to elude astronomers,” Ms Caddy explained.</p> <p dir="ltr">“After the success of Dragonfly in the northern hemisphere, it certainly makes sense to have a similar facility here in the Southern Hemisphere to access parts of the sky that Dragonfly can’t. </p> <p dir="ltr">“Not only that, but Australia is home to many world-class radio telescope facilities. Combining data from radio surveys of the southern sky with Huntsman optical data will help us piece together a more complete view of how galaxies evolve.” </p> <p dir="ltr">“Even the geographical location of Australia is important for Huntsman’s transient science goals. Huntsman will contribute to the growing number of Australian rapid response facilities aiming to capture events like the optical counterparts to Fast Radio Burst and Gravitational Wave progenitors.</p> <p dir="ltr">“We are so excited to see the project move from the commissioning phase into full-time science mode, and I can’t wait to see how this amazing new facility will help Astronomers explore our Universe in the years to come,” she concluded.</p> <p dir="ltr"><span id="docs-internal-guid-105d4c57-7fff-bfbf-50d3-215a65a3ee12"></span></p> <p dir="ltr"><em>Image: Macquarie University</em></p>

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An Indigenous language could help humans and AI communicate

<p dir="ltr">One of the most challenging problems impeding humans from communicating with Artificial Intelligence (AI) systems could have a unique solution: a language spoken by Indigenous Australians in the NT.</p> <p dir="ltr">Researchers at the University of New South Wales have published a paper explaining how Jingulu - a language spoken by the Jingili people - could be translated directly into commands that both AI and humans can understand.</p> <p dir="ltr">The study, published in <em><a href="https://doi.org/10.3389/fphy.2022.944064" target="_blank" rel="noopener">Frontiers in Physics</a></em>, details how Professor Abbass worked with linguistics expert Associate Professor Eleni Petraki and Dr Robert Hunjet, a member of the Defence Science and Technology Group to create JSwarm, a language inspired by Jingulu.</p> <p dir="ltr">Jingulu uses just three verbs - come, go and do - which also means that the amount of computational power needed to understand the commands is low. </p> <p dir="ltr">“For us, Jingulu is a dream that came true,” Professor Hussein Abbass, the study’s first author, said.</p> <p dir="ltr">“A language that can translate straight into AI commands; a human language that humans can understand; an efficient language in its syntax that reduces computational cost; a language where we can change the context of use without changing its syntax to allow us to transfer the AI between different domains with ease; and a language that is born and used in Australia to support research and innovation that are born and used in Australia.”</p> <p dir="ltr">Professor Abbass works with swarm systems of AI, where groups of robots work together to perform tasks and solve complex problems in a system that draws inspiration from how small numbers of sheepdogs can control large flocks of sheep.</p> <p dir="ltr">“This problem is all about movements in different information and knowledge spaces, including the physical spaces,” Professor Abbass said.</p> <p dir="ltr">“These movements are represented mathematically as elements that get attracted to each other or repulse from each other. For a long time, I have been looking at how we can design the languages used at the interface between the swarm and humans.”</p> <p dir="ltr">Having previously investigated systems that rely on gestures, direct commands, and even music, Professor Abbass said these systems all had their challenges.</p> <p dir="ltr">“They either had a richer language than what we needed or did not map exactly to the mathematics we use for guidance and control,” Dr Abbass said.</p> <p dir="ltr">“This all changed one day when, out of curiosity, I was searching on Google for studies that looked at the syntax of Aboriginal languages.</p> <p dir="ltr">“I encountered a PhD thesis about Jingulu, I started reading it then it did not take much time before it clicked in my head; this language would be perfect for my artificial intelligence-enabled swarm guidance work.”</p> <p dir="ltr">This isn’t the first time Indigenous languages have been applied to interesting problems either, with applications dating back to World War II.</p> <p dir="ltr">“The Aboriginal people have a long history of contributions to the defence of Australia,” Professor Abbass said.</p> <p dir="ltr">“During the Second World War their languages were used for secret communications. Today we are discovering that the wealth and richness of the Aboriginal languages and culture could hold the secret in human-AI interaction.”</p> <p><span id="docs-internal-guid-f939bc00-7fff-1d15-1260-dd99f6eb4720"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

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New research in Arnhem Land reveals why institutional fire management is inferior to cultural burning

<p>One of the conclusions of this week’s shocking <a href="https://soe.dcceew.gov.au/" target="_blank" rel="noopener">State of the Environment report</a> is that climate change is lengthening Australia’s bushfire seasons and raising the number of days with a fire danger rating of “very high” or above. In New South Wales, for example, the season now extends to almost eight months.</p> <p>It has never been more important for institutional bushfire management programs to apply the principles and practices of Indigenous fire management, or “cultural burning”. As the report notes, cultural burning reduces the risk of bushfires, supports habitat and improves Indigenous wellbeing. And yet, the report finds:</p> <blockquote> <p>with significant funding gaps, tenure impediments and policy barriers, Indigenous cultural burning remains underused – it is currently applied over less than 1% of the land area of Australia’s south‐eastern states and territory.</p> </blockquote> <p>Our <a href="https://www.nature.com/articles/s41598-022-12946-3" target="_blank" rel="noopener">recent research</a> in <em>Scientific Reports</em> specifically addressed the question: how do the environmental outcomes from cultural burning compare to mainstream bushfire management practices?</p> <p>Using the stone country of the Arnhem Land Plateau as a case study, we reveal why institutional fire management is inferior to cultural burning.</p> <p>The few remaining landscapes where Aboriginal people continue an unbroken tradition of caring for Country are of international importance. They should be nationally recognised, valued and resourced like other protected cultural and historical places.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Different indigenous fire application today with a country full of weeds. First burn of of two applications this year. This is what we have to do to make country have less flammable vegetation. Walk through, More time and love put into country. <a href="https://t.co/pnoWFQbq6C">pic.twitter.com/pnoWFQbq6C</a></p> <p>— Victor Steffensen (@V_Steffensen) <a href="https://twitter.com/V_Steffensen/status/1505384041402748930?ref_src=twsrc%5Etfw">March 20, 2022</a></p></blockquote> <p><strong>Ancient fire management</strong></p> <p>The rugged terrain of the Arnhem Plateau in Northern Territory has an ancient human history, with archaeological evidence <a href="https://www.abc.net.au/news/science/2017-07-20/aboriginal-shelter-pushes-human-history-back-to-65,000-years/8719314#:%7E:text=New%20excavations%20of%20a%20rock,earlier%20than%20archaeologists%20previously%20thought." target="_blank" rel="noopener">dated at 65,000 years</a>.</p> <p>Arnhem Land is an ideal place to explore the effects of different fire regimes because fire is such an essential feature of the natural and cultural environment.</p> <p>Australia’s monsoon tropics are particularly fire prone given the sharply contrasting wet and dry seasons. The wet season sees prolific growth of grasses and other flammable plants, and dry season has reliable hot, dry, windy conditions.</p> <p>Millennia of <a href="https://theconversation.com/the-worlds-best-fire-management-system-is-in-northern-australia-and-its-led-by-indigenous-land-managers-133071" target="_blank" rel="noopener">skilful fire management</a> by Indigenous people in these landscapes have allowed plants and animals needing infrequently burnt habitat to thrive.</p> <p>This involves shifting “mosaic” burning, where small areas are burned regularly to create a patchwork of habitats with different fire histories. This gives wildlife a diversity of resources and places to shelter in.</p> <p>Conservation biologists suspect that the loss of such patchy fires since colonisation has contributed to the <a href="http://132.248.10.25/therya/index.php/THERYA/article/view/236/html_66" target="_blank" rel="noopener">calamitous demise</a> of wildlife species across northern Australia, such as northern quolls, northern brown bandicoots and grassland melomys.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">"Fire is the way to really look after the land and the people. Since we started here, we've been using fire. And we need to bring it back because it unites the people and the land." Jacob Morris, Gumea-Dharrawal Yuin man. 🎥 Craig Bender &amp; <a href="https://twitter.com/VeraHongTweets?ref_src=twsrc%5Etfw">@VeraHongTweets</a> <a href="https://t.co/Afh6iwIrOX">pic.twitter.com/Afh6iwIrOX</a></p> <p>— FiresticksAlliance (@FiresticksA) <a href="https://twitter.com/FiresticksA/status/1436177617049296901?ref_src=twsrc%5Etfw">September 10, 2021</a></p></blockquote> <p><strong>Collapse of the cypress pine</strong></p> <p>Our study was undertaken over 25 years, and wouldn’t have been possible without the generous support and close involvement of the Traditional Owners over this time.</p> <p>It compared an area under near continuous Indigenous management by the Kune people of Western Arnhem Land with ecologically similar and unoccupied areas within Kakadu National Park.</p> <p>We found populations of the cypress pine (<em>Callitris intratropica</em>) remained healthy under continual Aboriginal fire management. By contrast, cypress pine populations had collapsed in ecologically similar areas in Kakadu due to the loss of Indigenous fire management, as they have across much of northern Australia.</p> <p>The population of dead and living pines is like a barcode that records fire regime change. The species is so long lived that older trees were well established before colonisation.</p> <p>The timber is extremely durable and termite resistant, so a tree killed by fire remains in the landscape for many decades. And mature trees, but not juveniles, can tolerate low intensity fires, but intense fires kill both.</p> <figure class="align-center zoomable"><em><a href="https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=800&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=800&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=800&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=1005&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=1005&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=1005&amp;fit=crop&amp;dpr=3 2262w" alt="" /></a></em><figcaption><em><span class="caption">Cypress pine timber can remain in the landscape decades after the tree died.</span> <span class="attribution"><span class="source">Michael Hains/Atlas of Living Australia</span>, <a class="license" href="http://creativecommons.org/licenses/by-nc-sa/4.0/" target="_blank" rel="noopener">CC BY-NC-SA</a></span></em></figcaption></figure> <p>Since 2007, park rangers have attempted to emulate cultural burning outcomes. They’ve used aircraft to drop incendiaries to create a coarse patchwork of burned and unburned areas to improve biodiversity in the stone country within Kakadu.</p> <p>Unfortunately, our research found Kakadu’s fire management interventions failed to restore landscapes to the healthier ecological condition under traditional Aboriginal fire management.</p> <p>While the Kakadu aerial burning program increased the amount of unburnt vegetation, it didn’t reverse the population collapse of cypress pines. Searches of tens of kilometres failed to find a single seedling in Kakadu, whereas they were common in comparable areas under Aboriginal fire management.</p> <p>Our study highlights that once the ecological benefits of cultural burning are lost, they cannot be simply restored with mainstream fire management approaches.</p> <p>But that’s not to say the ecological impacts from the loss of Aboriginal fire management cannot be reversed. Rather, restoring fire regimes and ecosystem health will be slow, and require special care in where and how fires are set.</p> <p>This requires teams on the ground with deep knowledge of the land, rather than simply spreading aerial incendiaries from helicopters.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">After 60 years of fire exclusion, another magic day restoring fire to Arakwal-Bundjalung-Bumberlin country. <a href="https://t.co/xRRNb4ELdQ">pic.twitter.com/xRRNb4ELdQ</a></p> <p>— Dr. Andy Baker (@FireDiversity) <a href="https://twitter.com/FireDiversity/status/1537768580455931905?ref_src=twsrc%5Etfw">June 17, 2022</a></p></blockquote> <p><strong>There’s much to learn</strong></p> <p>There remains much for Western science to learn about <a href="https://theconversation.com/fighting-fire-with-fire-botswana-adopts-indigenous-australians-ancient-burning-tradition-135363" target="_blank" rel="noopener">traditional fire management</a>.</p> <p>Large-scale institutional fire management is based on concepts of efficiency and generality. It is controlled by bureaucracies, and achieved using machines and technologies.</p> <p>Such an “industrial” approach cannot replace the placed-based knowledge, including close human relationships with Country, underpinning <a href="https://www.firesticks.org.au/about/cultural-burning/" target="_blank" rel="noopener">cultural burning</a>.</p> <p>Cultural burning and institutional fire management could be thought of as the differences between home cooking and fast food. Fast food is quick, cheap and produces the same product regardless of individual needs. Home cooking takes longer to prepare, can cater to individual needs, and can improve wellbeing.</p> <p>But restoring sustainable fire regimes based on the wisdom and practices of Indigenous people cannot be achieved overnight. Reaping the benefits of cultural burning to landscapes where colonialism has disrupted ancient fire traditions take time, effort and resources.</p> <p>It’s urgent remaining traditional fire practitioners are recognised for their invaluable knowledge and materially supported to continue caring for their Country. This includes:</p> <ul> <li>actively supporting Indigenous people to reside on their Country</li> <li>to pay them to undertake natural resource management including cultural burning</li> <li>creating pathways enabling Indigenous people separated from their country by colonialism to re-engage with fire management.</li> </ul> <p>Restoring landscapes with sustainable cultural burning traditions is a long-term project that will involve training and relearning ancient practices. There are extraordinary opportunities for Indigenous and non-Indigenous people alike to learn how to Care for Country.</p> <hr /> <p><em>The authors gratefully acknowledge the contribution of Victor Steffensen, the Lead Fire Practitioner at the Firesticks Alliance Indigenous Corporation, who reviewed this article.</em><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/184562/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/david-bowman-4397" target="_blank" rel="noopener">David Bowman</a>, Professor of Pyrogeography and Fire Science, <a href="https://theconversation.com/institutions/university-of-tasmania-888" target="_blank" rel="noopener">University of Tasmania</a>; <a href="https://theconversation.com/profiles/christopher-i-roos-1354187" target="_blank" rel="noopener">Christopher I. Roos</a>, Professor, <a href="https://theconversation.com/institutions/southern-methodist-university-1988" target="_blank" rel="noopener">Southern Methodist University</a>, and <a href="https://theconversation.com/profiles/fay-johnston-90826" target="_blank" rel="noopener">Fay Johnston</a>, Professor, Menzies Institute for Medical Research, <a href="https://theconversation.com/institutions/university-of-tasmania-888" target="_blank" rel="noopener">University of Tasmania</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/new-research-in-arnhem-land-reveals-why-institutional-fire-management-is-inferior-to-cultural-burning-184562" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: @FireDiversity (Twitter)</em></p>

Domestic Travel

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How Heath Ledger inspired Johnny Depp’s donation to Australian hospital

<p dir="ltr">Johnny Depp has made a significant donation to an Australian children’s hospital, as part of a larger $1.17 million gift to charities around the world.</p> <p dir="ltr">The sum comes from the sale of non-fungible tokens (NFTs) - digital assets that represent real-life products such as art and video games - which Depp raised through his NFT community, Never Fear Truth.</p> <p><span id="docs-internal-guid-e5849e45-7fff-f569-d5d9-a9750f426720"></span></p> <p dir="ltr">Depp’s donation will be split between the Perth Children’s Hospital, UK-based Great Ormond Street Hospital Children’s Charity, the Children’s Hospital of Los Angeles, and Robert Downey Jr’s Footprint Coalition, which fundraises for non-profit organisations that focus on environmental sustainability.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en"><a href="https://twitter.com/PCHFWA?ref_src=twsrc%5Etfw">@PCHFWA</a> Perth Children’s Hospital Foundation (via CAF America)<a href="https://twitter.com/GOSHCharity?ref_src=twsrc%5Etfw">@GOSHCharity</a> Great Ormond Street Hospital Children’s Charity (via CAF America)<a href="https://twitter.com/fp_coalition?ref_src=twsrc%5Etfw">@fp_coalition</a> The Footprint Coalition<a href="https://twitter.com/ChildrensLA?ref_src=twsrc%5Etfw">@ChildrensLA</a> The Children’s Hospital of Los Angeles (CHLA)</p> <p>— Never Fear Truth (@JohnnyDeppNFT) <a href="https://twitter.com/JohnnyDeppNFT/status/1544413863839514625?ref_src=twsrc%5Etfw">July 5, 2022</a></p></blockquote> <p dir="ltr">“Johnny Depp’s Never Fear Truth NFT sale was always intended to benefit charities and we are pleased to be able to confirm that nearly $800,000 ($AUD 1.17 million) in total donations have been contributed,” Never Fear Truth tweeted.</p> <p dir="ltr">The Perth Children’s Hospital Foundation issued a statement thanking the actor for his donation.</p> <p dir="ltr">“Thank you so much for your generosity in helping support PCHFWA and WA sick kids,” the organisation wrote on Twitter. </p> <p dir="ltr">“These funds will make a significant impact in helping keep (Perth Children’s Hospital) world-class for our children and families.”</p> <p dir="ltr">Many fans praised Depp’s acts of kindness, and it turns out that his choice to support the West Australian hospital is particularly special.</p> <p dir="ltr"><span id="docs-internal-guid-4e18ba45-7fff-2408-772d-b7792f5e3e27"></span></p> <p dir="ltr">Part of the money raised through Depp’s NFT community came from the sale of an NFT depicting his painting of late actor Heath Ledger, who grew up in Perth.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/tv/CbkRwlgDle1/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/tv/CbkRwlgDle1/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Never Fear Truth (@johnnydeppnft)</a></p> </div> </blockquote> <p dir="ltr">Carrie Robinson, the CEO of PCHFWA, told <em>The West Australian</em> that Ledger’s family had nominated the hospital as the recipient of the money raised from the painting’s sale.</p> <p dir="ltr">“It’s great to see the legacy of Heath Ledger continuing to make an impact on the WA community,” Robinson said.</p> <p dir="ltr">Other paintings included in the sale include portraits of Depp, his daughter Lily Rose, his friend and late actor River Phoenix, and Hollywood legends such as Marlon Brando, Al Pacino and Elizabeth Taylor.</p> <p dir="ltr">“I’ve always used art to express my feelings and to reflect on those who matter most to me, like my family, friends and people I admire,” Depp said when he offered his paintings publicly for the first time.</p> <p dir="ltr">“My paintings surround my life, but I kept them to myself and limited myself.</p> <p dir="ltr">“No-one should ever limit themselves.”</p> <p dir="ltr"><span id="docs-internal-guid-7a46deee-7fff-39d9-efa7-f32189b75097"></span></p> <p dir="ltr"><em>Images: Getty Images / Instagram</em></p>

Caring

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This giant kangaroo once roamed New Guinea – descended from an Australian ancestor that migrated millions of years ago

<p>Long ago, almost up until the end of the last ice age, a peculiar giant kangaroo roamed the mountainous rainforests of New Guinea.</p> <p>Now, research to be <a href="https://doi.org/10.1080/03721426.2022.2086518" target="_blank" rel="noopener">published</a> on Thursday by myself and colleagues suggests this kangaroo was not closely related to modern Australian kangaroos. Rather, it represents a previously unknown type of primitive kangaroo unique to New Guinea.</p> <p><strong>The age of megafauna</strong></p> <p>Australia used to be home to all manner of giant animals called megafauna, until most of them went extinct about 40,000 years ago. These megafauna lived alongside animals we now consider characteristic of the Australian bush – kangaroos, koalas, crocodiles and the like – but many were larger species of these.</p> <p>There were giant wombats called <em>Phascolonus</em>, 2.5-metre-tall short-faced kangaroos, and the 3-tonne <em>Diprotodon optatum</em> (the largest marsupial ever). In fact, some Australian megafaunal species, such as the red kangaroo, emu and cassowary, survive through to the modern day.</p> <p>The fossil megafauna of New Guinea are considerably less well-studied than those of Australia. But despite being shrouded in mystery, New Guinea’s fossil record has given us hints of fascinating and unusual animals whose evolutionary stories are entwined with Australia’s.</p> <p>Palaeontologists have done sporadic expeditions and fossil digs in New Guinea, including digs by American and Australian researchers in the 1960s, ’70s and ’80s.</p> <p>It was during an archaeological excavation in the early 1970s, led by Mary-Jane Mountain, that two jaws of an extinct giant kangaroo were unearthed. A young researcher (now professor) named Tim Flannery called the species <em>Protemnodon nombe</em>.</p> <p>The fossils Flannery described are about 20,000–50,000 years old. They come from the Nombe Rockshelter, an archaeological and palaeontological site in the mountains of central Papua New Guinea. This site also delivered fossils of another kangaroo and giant four-legged marsupials called diprotodontids.</p> <p><strong>An unexpected discovery</strong></p> <p>Flinders University Professor Gavin Prideaux and I recently re-examined the fossils of <em>Protemnodon nombe</em> and found something unexpected. This strange kangaroo was not a species of the genus <em>Protemnodon</em>, which used to live all over Australia, from the Kimberley to Tasmania. It was something a lot more primitive and unknown.</p> <p>In particular, its unusual molars with curved enamel crests set it apart from all other known kangaroos. We moved the species into a brand new genus unique to New Guinea and (very creatively) renamed it <em>Nombe nombe</em>.</p> <figure><iframe src="https://player.vimeo.com/video/724328370" width="500" height="281" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><em>A 3D surface scan of a specimen of Nombe nombe, specifically a fossilised lower jaw from central Papua New Guinea. (Courtesy of Papua New Guinea Museum and Art Gallery, Port Moresby).</em></figcaption></figure> <p>Our findings show <em>Nombe</em> may have evolved from an ancient form of kangaroo that migrated into New Guinea from Australia in the late Miocene epoch, some 5–8 million years ago.</p> <p>In those days, the islands of New Guinea and Australia were connected by a land bridge due to lower sea levels – whereas today they’re separated by the Torres Strait.</p> <p>This “bridge” allowed early Australian mammals, including megafauna, to migrate to New Guinea’s rainforests. When the Torres Strait flooded again, these animal populations became disconnected from their Australian relatives and evolved separately to suit their tropical and mountainous New Guinean home.</p> <p>We now consider <em>Nombe</em> to be the descendant of one of these ancient lineages of kangaroos. The squat, muscular animal lived in a diverse mountainous rainforest with thick undergrowth and a closed canopy. It evolved to eat tough leaves from trees and shrubs, which gave it a thick jawbone and strong chewing muscles.</p> <p>The species is currently only known from two fossil lower jaws. And much more remains to be discovered. Did <em>Nombe</em> hop like modern kangaroos? Why did it go extinct?</p> <p>As is typical of palaeontology, one discovery inspires an entire host of new questions.</p> <p><strong>Strange but familiar animals</strong></p> <p>Little of the endemic animal life of New Guinea is known outside of the island, even though it is very strange and very interesting. Very few Australians have much of an idea of what’s there, just over the strait.</p> <p>When I went to the Papua New Guinea Museum in Port Moresby early in my PhD, I was thrilled by the animals I encountered. There are several living species of large, long-nosed, worm-eating echidna – one of which weighs up to 15 kilograms.</p> <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=451&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=451&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=451&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=567&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=567&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/471027/original/file-20220627-22-91nec3.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=567&amp;fit=crop&amp;dpr=3 2262w" alt="Author Isaac Kerr poses for a photo, holding an Australian giant kangaroo jaw in his left hand" /></a><figcaption><em><span class="caption">I’m excited to start digging in New Guinea’s rainforests!</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p>There are also dwarf cassowaries and many different wallaby, tree kangaroo and possum species that don’t exist in Australia – plus many more in the fossil record.</p> <p>We tend to think of these animals as being uniquely Australian, but they have other intriguing forms in New Guinea.</p> <p>As an Australian biologist, it’s both odd and exhilarating to see these “Aussie” animals that have expanded into new and weird forms in another landscape.</p> <p>Excitingly for me and my colleagues, <em>Nombe nombe</em> may breathe some new life into palaeontology in New Guinea. We’re part of a small group of researchers that was recently awarded a grant to undertake three digs at two different sites in eastern and central Papua New Guinea over the next three years.</p> <p>Working with the curators of the Papua New Guinea Museum and other biologists, we hope to inspire young local biology students to study palaeontology and discover new fossil species. If we’re lucky, there may even be a complete skeleton of <em>Nombe nombe</em> waiting for us.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/185778/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/isaac-alan-robert-kerr-1356949" target="_blank" rel="noopener">Isaac Alan Robert Kerr</a>, PhD Candidate for Palaeontology, <a href="https://theconversation.com/institutions/flinders-university-972" target="_blank" rel="noopener">Flinders University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/this-giant-kangaroo-once-roamed-new-guinea-descended-from-an-australian-ancestor-that-migrated-millions-of-years-ago-185778" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: Supplied</em></p>

Domestic Travel

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Penny Wong says Australia has “a lot to learn” from New Zealand

<p dir="ltr">Australian Foreign Minister Penny Wong has said the country has “a lot to learn” from New Zealand when it comes to indigenous foreign policy.</p> <p dir="ltr">Wong met with New Zealand’s Foreign Minister, Nanaia Mahuta, at Parliament in Wellington for their first official bilateral talks since the new Australian government came into power under Anthony Albanese, as reported by the <em><a href="https://www.nzherald.co.nz/nz/penny-wong-says-australia-has-lot-to-learn-from-nz-on-indigenous-issues-china-pacific-discussed/RV4VARZMDACZKX7JATZMXSRPQM/" target="_blank" rel="noopener">NZ Herald</a></em>.</p> <p><span id="docs-internal-guid-aef07535-7fff-46b6-f1fb-c90b150fc0fa"></span></p> <p dir="ltr">The pair spoke at length in their private meeting, covering climate change, issues in the Pacific, Russia’s war on Ukraine, the Pacific Islands forum next month, and working together on Indigenous-based foreign policy.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Ce3RI5xPA9M/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Ce3RI5xPA9M/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Penny Wong (@senatorpennywong)</a></p> </div> </blockquote> <p dir="ltr">Wong’s visit to Parliament began with a traditional pōwhiti ceremonial welcome, led by mana whenua Te Āti Awa (one of New Zealand’s Awa tribes).</p> <p dir="ltr">Mana whenua and Mahuta’s side of the room sang Purea Nei, with Wong and her Australian delegation responding with E Toru Ngā Mea.</p> <p dir="ltr">Wong described the experience of being welcomed as “very moving”.</p> <p dir="ltr"><span id="docs-internal-guid-322366d0-7fff-5f13-2e30-6fd2b189b192"></span></p> <p dir="ltr">“It’s an act of respect and honour, you feel the power of that. Being welcomed into someone’s land, you feel the importance,” she said.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="ro">Australia Foreign Minister Penny Wong and her delegation sing the Māori waiata E Toru Ngā Mea during pōwhiri led by mana whenua Te Āti Awa at Parliament <a href="https://t.co/KznD0Xj6WI">pic.twitter.com/KznD0Xj6WI</a></p> <p>— Michael Neilson (@mr_neilson_) <a href="https://twitter.com/mr_neilson_/status/1537270105943715840?ref_src=twsrc%5Etfw">June 16, 2022</a></p></blockquote> <p dir="ltr">Wong said one of the main reasons she sought to work in her current role was to be part of a government that implemented the Uluru Statement of the Heart, which calls for constitutional change to give Indigenous Australians representation in Parliament and a Makarta Commission for treaty making and truth telling.</p> <p dir="ltr">She said she appreciated learning on the topic from Mahuta - who is of the Waikato-Tainui, Ngāti Maniapoto and Ngāti Manu iwi (tribes) - who has a “depth of personal wisdom”.</p> <p dir="ltr">Having read Mahuta’s statements and speeches, Wong said she found the use of Māori concepts “extraordinarily powerful”.</p> <p dir="ltr">“We can learn a lot from your country,” Wong said.</p> <p dir="ltr">“We are a modern, multicultural, diverse nation and we have the privilege of one of the oldest continuing cultures on Earth.</p> <p dir="ltr">“And we should integrate that much more into how we engage with the world and how we talk to and with the world and about ourselves.”</p> <p dir="ltr">The pair went on to discuss tensions in the Pacific region, stemming from a security pact signed by the Solomon Islands with China in March, with Wong noting that previous governments hadn’t done enough in the region.</p> <p dir="ltr">She pledged to “do more” for the “Pacific family” and said Australia’s partnership with New Zealand was “indispensable”.</p> <p dir="ltr">“We know we can always rely on each other,” she said.</p> <p dir="ltr">“We’re allies, we’re friends, and we’re partners in the region and the world that, as the minister said, is experiencing a much sharper set of challenges.”</p> <p dir="ltr">When the topic of the controversial 501 deportation policy arose, Wong gave no further information besides saying that Mr Albanese and New Zealand Prime Minister Jacinda Ardern had discussed the issue when they met in Sydney.</p> <p dir="ltr">“We understand the concerns have been raised. We’ll take those into consideration,” Wong said.</p> <p dir="ltr">After their meeting, Wong will be meeting with the Prime Minister and Cabinet ministers in the Solomon Islands, while Mahuta will travel to Rwanda to represent New Zealand at the Commonwealth Heads of Government Meeting.</p> <p dir="ltr"><span id="docs-internal-guid-9355f1e9-7fff-74b8-f1aa-cabccfba67cd"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

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Shifting seasons: using Indigenous knowledge and western science to help address climate change impacts

<p>Traditional Owners in Australia are the creators of millennia worth of <a href="https://e360.yale.edu/features/native-knowledge-what-ecologists-are-learning-from-indigenous-people" target="_blank" rel="noopener">traditional ecological knowledge</a> – an understanding of how to live amid changing environmental conditions. Seasonal calendars are one of the forms of this knowledge best known by non-Indigenous Australians. But as the climate changes, these calendars are being disrupted.</p> <p>How? Take the example of wattle trees that flower at a specific time of year. That previously indicated the start of the fishing season for particular species. Climate change is causing these plants to flower later. In response, Traditional Owners on <a href="http://www.archerpoint.com.au/" target="_blank" rel="noopener">Yuku Baja Muliku</a> (YBM) Country near Cooktown are having to adapt their calendars and make new links.</p> <p>That’s not all. The seasonal timing of cultural burning practices is changing in some areas. Changes to rainfall and temperature alter when high intensity (hot) burns and low intensity (cool) burns are undertaken.</p> <p>Seasonal connections vital to Traditional Owners’ culture are decoupling.</p> <p>To systematically document changes, co-author Larissa Hale and her community worked with western scientists to pioneer a Traditional Owner-centred approach to climate impacts on cultural values. This process, <a href="https://escholarship.org/uc/item/7kw7z2c9" target="_blank" rel="noopener">published last week</a>, could also help Traditional Owners elsewhere to develop adaptive management for their Indigenous heritage.</p> <figure class="align-center zoomable"><em><a href="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="Wattle flower" /></a></em><figcaption><em><span class="caption">A YBM Traditional Owner showing the wattle flower which used to be an indicator species for good fishing.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p><strong>Climate change threatens First Nations - their perspectives must be heard</strong></p> <p>Australia’s First Nations people face many threats from climate change, ranging from impacts on food availability to health. For instance, rising seas are already <a href="https://www.smh.com.au/politics/federal/torres-strait-islanders-plead-for-climate-action-as-government-builds-seawall-20220401-p5aa13.html" target="_blank" rel="noopener">flooding islands</a> in the Torres Strait with devastating consequences.</p> <p>The most recent Intergovernmental Panel on Climate Change report on impacts and adaption noted in the <a href="https://www.ipcc.ch/report/ar6/wg2/downloads/report/IPCC_AR6_WGII_FinalDraft_Chapter11.pdf" target="_blank" rel="noopener">Australasia chapter</a> that climate-related impacts on Aboriginal and Torres Strait Islander peoples, their country and cultures are “pervasive, complex and compounding.”</p> <p>While it is important these impacts are recorded, the dominant source of the data is academic literature based on western science. Impacts and pressures Traditional Owners are seeing and managing on their country must be assessed and managed from their unique perspective.</p> <p>Traditional Owners have survived and adapted to climatic shifts during their 60,000+ years in Australia. This includes sea-level rise that flooded the area that is now the Great Barrier Reef and extreme rainfall variability. As a result, <a href="https://theconversation.com/ancient-knowledge-is-lost-when-a-species-disappears-its-time-to-let-indigenous-people-care-for-their-country-their-way-172760" target="_blank" rel="noopener">they have developed</a> a fine-tuned sense of nature’s variability over time.</p> <figure class="align-center zoomable"><em><a href="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=3 2262w" alt="Drone shot of Annan river" /></a></em><figcaption><em><span class="caption">YBM Traditional Owners and scientists surveying freshwater mussel populations on Annan River near Cooktown.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p><strong>So what did we do?</strong></p> <p>Worried about the changes they were seeing on their Land and Sea Country around Archer Point in North Queensland, the YBM people worked with scientists from James Cook University to create a new way to assess impacts on cultural values.</p> <p>To do this, we drew on the values-based, science-driven, and community-focused approach of the <a href="https://cvi-heritage.org/about" target="_blank" rel="noopener">climate vulnerability index</a>. It was the first time this index had been used to assess values of significance for Indigenous people.</p> <p>YBM people responded to key prompts to assess changes to their values, including:</p> <ul> <li>What did the value look like 100 years ago?</li> <li>What does it look like now?</li> <li>What do you expect it will look like in the climate future around 2050?</li> <li>What management practices relate to that value and will they change?</li> </ul> <p>We then discussed what issues have emerged from these climatic changes.</p> <p>Using this process, we were able to single out issues directly affecting how YBM people live. For instance, traditional food sources can be affected by climate change. In the past, freshwater mussels in the Annan River were easy to access and collect. Extreme temperature events in the last 10 years have contributed to mass die-offs. Now mussels are much smaller in size and tend to be far <a href="https://www.researchgate.net/publication/311066114_Freshwater_mussel_surveys_from_the_Annan_River_Yuku_Baja_Muliku_Country_-_project_findings" target="_blank" rel="noopener">fewer in number</a>.</p> <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=420&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=420&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=420&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=528&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=528&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=528&amp;fit=crop&amp;dpr=3 2262w" alt="Freshwater mussels Annan River" /></a><figcaption><em><span class="caption">Freshwater mussels used to be more common.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p>Through the process we also documented that changes to rainfall and temperature have altered the time when some plant foods appear. This is particularly true for plants that depend upon cultural burns to flower or put up shoots. This in turn has meant that the timing of collecting and harvesting has changed.</p> <figure class="align-right zoomable"><a href="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="bushfoods found on YBM country" /></a><figcaption><em><span class="caption">The timing of when some bushfoods appear is changing.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p>These climate-linked changes challenge existing bodies of traditional knowledge, altering connections between different species, ecosystems and weather patterns across Land and Sea Country.</p> <p>A key part of this process was developing a mutually beneficial partnership between traditional ecological knowledge holders and western scientists. It was critical to establish a relationship built on trust and respect.</p> <p>Walking the country first – seeing rivers, mangroves, beaches, headlands, bush, wetlands, and looking out at Sea Country – helped researchers understand the perspectives of Traditional Owners. Honouring experience and knowledge (especially that held by Elders and Indigenous rangers) was important. Indigenous cultural and intellectual property <a href="https://www.artslaw.com.au/information-sheet/indigenous-cultural-intellectual-property-icip-aitb/" target="_blank" rel="noopener">protocols</a> were recognised and respected throughout the assessment.</p> <p><a href="https://www.un.org/development/desa/indigenouspeoples/wp-content/uploads/sites/19/2018/11/UNDRIP_E_web.pdf" target="_blank" rel="noopener">Respecting</a> and working collaboratively with Traditional Owners as expert scientists in their own knowledge system was critical for success. Any effort to incorporate traditional ecological knowledge in climate change assessments must protect sensitive traditional knowledge.</p> <p>As climate change will continue and accelerate, we must work together to minimise resulting impacts on the cultural heritage of First Nations peoples.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/183229/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/karin-gerhardt-1350288" target="_blank" rel="noopener">Karin Gerhardt</a>, PhD student, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a>; <a href="https://theconversation.com/profiles/jon-c-day-142416" target="_blank" rel="noopener">Jon C. Day</a>, PSM, Adjunct Senior Research Fellow, ARC Centre of Excellence for Coral Reef Studies, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a>; <a href="https://theconversation.com/profiles/larissa-hale-1346434" target="_blank" rel="noopener">Larissa Hale</a>, Yuku Baja Muliku Traditional Owner, <a href="https://theconversation.com/institutions/indigenous-knowledge-4846" target="_blank" rel="noopener">Indigenous Knowledge</a>, and <a href="https://theconversation.com/profiles/scott-f-heron-256521" target="_blank" rel="noopener">Scott F. Heron</a>, Associate Professor in Physics, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/shifting-seasons-using-indigenous-knowledge-and-western-science-to-help-address-climate-change-impacts-183229" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: </em><em>Yuku Baja Muliku Land and Sea Rangers (Facebook)</em></p>

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Sydney icon to be returned to Aboriginal owners

<p dir="ltr">A historic decision has been made to return one of Sydney harbour's iconic landmarks to its Indigenous custodians.</p> <p dir="ltr">The NSW government has begun the official transfer process for Me-Mel Island - also known as Goat Island - which will be accompanied by a nearly $43 million revitalisation of the island.</p> <p dir="ltr">NSW Premier Dominic Perrottet described the achievement as a “personal priority”.</p> <p dir="ltr">“Returning Me-Mel to the Aboriginal community is the right thing to do, and it helps deliver on my commitment of improving outcomes and opportunities for Aboriginal people across all parts of Government,” he said.</p> <p><span id="docs-internal-guid-884d2a08-7fff-393c-0609-2d285d9a3db1"></span></p> <p dir="ltr">“A big part of my commitment is ensuring the island is remediated before it’s transferred to the Aboriginal community.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Me-mel (Eora): Bennelong's island; little green space in the sea. <a href="https://t.co/HZFslBCkyH">pic.twitter.com/HZFslBCkyH</a></p> <p>— Carolyn R Galbraith (@CarolynRGalb) <a href="https://twitter.com/CarolynRGalb/status/1530773156536852481?ref_src=twsrc%5Etfw">May 29, 2022</a></p></blockquote> <p dir="ltr">This remediation, included in the $42.9 million package spread over the next four years, will cover various works such as repairing seawalls and buildings, improving water and sewer services, adn removing contaminants like asbestos, according to <em><a href="https://www.news.com.au/travel/travel-updates/43m-move-to-return-memel-island-to-aboriginal-hands/news-story/b28de6cc4bc21003aec0e5a801c362b9" target="_blank" rel="noopener">news.com.au</a></em>.</p> <p dir="ltr">Me-Mel Island is the biggest in Sydney Harbour and lies north-west of the CBD.</p> <p dir="ltr">The State Heritage-listed island is known for its rich Aboriginal heritage, as well as being home to more than 30 buildings and structures from the 1830s to 1960s.</p> <p dir="ltr">Once inhabited by Wangal man Bennelong and Cammeraigal woman Barangaroo, Bennelong said he inherited it from his father who was born on Me-Mel according to colonial documents.</p> <p dir="ltr"><span id="docs-internal-guid-9e769c3e-7fff-5f05-09d0-f67c7b488a4d"></span></p> <p dir="ltr">The transfer was first promised during the 2015 election by the NSW Labor Party - who lost to the Liberal Party that year - before officially commencing under the Liberals seven years later.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I welcome the announcement today by <a href="https://twitter.com/Dom_Perrottet?ref_src=twsrc%5Etfw">@Dom_Perrottet</a> of $43m for restoration work on ME-MEL <a href="https://twitter.com/hashtag/goatisland?src=hash&amp;ref_src=twsrc%5Etfw">#goatisland</a> prior to this historic land being returned to the Aboriginal community in 2026 <a href="https://twitter.com/hashtag/alwayswasalwayswillbeaboriginalland?src=hash&amp;ref_src=twsrc%5Etfw">#alwayswasalwayswillbeaboriginalland</a> <a href="https://t.co/Xe3ySXOINf">pic.twitter.com/Xe3ySXOINf</a></p> <p>— Councillor Yvonne Weldon (@ypweldon) <a href="https://twitter.com/ypweldon/status/1530860098515783682?ref_src=twsrc%5Etfw">May 29, 2022</a></p></blockquote> <p dir="ltr">Though it has been a long time coming, the decision has been welcomed by Yvonne Weldon, the Deputy Chair of the Metropolitan Local Aboriginal Land Council, who said the transfer will help heal and progress Indigenous issues.</p> <p dir="ltr">“Me-Mel is a place where we can go to be within our culture, pass culture on to our younger generations and share with other people,” she said.</p> <p dir="ltr">Until the transfer, the island will continue to be managed by the National Parks and Wildlife Service (NPWS), which is calling for <a href="https://www.environment.nsw.gov.au/topics/parks-reserves-and-protected-areas/park-management/community-engagement/sydney-harbour-national-park/me-mel-goat-island" target="_blank" rel="noopener">expressions of interest</a> for the Me-Mel Transfer Committee.</p> <p dir="ltr">Aboriginal Affairs Minister Ben Franklin said this committee, with advice from legal, heritage, planning and governance experts, will develop a business case and plan for future ownership and management of the island.</p> <p dir="ltr">“The Me-Mel Transfer Committee includes Aboriginal people and NSW government representatives, and importantly, its establishment is supported by the Metropolitan Local Aboriginal Land Council,” Mr Franklin said.</p> <p dir="ltr">Nominations for this committee are open until close of business on June 27.</p> <p dir="ltr"><span id="docs-internal-guid-4bd3246b-7fff-8211-0ee4-0e09959bc419"></span></p> <p dir="ltr"><em>Image: Office of Environment and Heritage (Flickr)</em></p>

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Blak Douglas becomes second ever Indigenous Archibald Prize winner

<p dir="ltr">Western Sydney artist Blak Douglas has won the 2022 Archibald Prize, taking home $100,000 along with the coveted title. </p> <p dir="ltr">The self-taught 52-year-old artist has become the second Indigenous artist to win the prize in its 101 years for his portrait of Wiradjuri artist Karla Dickens.</p> <p dir="ltr">The 2022 competition was Douglas' fifth time as an Archibald finalist, and accepting the prize at the Art Gallery of NSW ceremony, he said: "This painting represents 20 years of taking the risk of pursuing a dream [and] surrendering normalised employment. And I'm sure many of my artist colleagues can relate to that."</p> <p dir="ltr">His winning portrait depicts Karla Dickens, who he describes as a “legendary practitioner”, knee-deep in the muddy floodwaters of her hometown in Lismore, Bundjalung Country — holding a leaking pail of water in each hand, and looking grumpy.</p> <p dir="ltr">His painting reflects on the damage and after-effects of the devastating February and March floods in the Northern Rivers.</p> <p dir="ltr">"I've been up there [to Bundjalung Country] several times; it's a war zone," Douglas told <a href="https://www.abc.net.au/news/2022-05-13/archibald-prize-2022-winner-blak-douglas-karla-dickens/101060204">ABC News</a>.</p> <p dir="ltr">"And so to be able to further aid some of my dearest, closest friends up there, through this win — not only metaphorically, but also financially — it's a big plus."</p> <p dir="ltr">Speaking via live video link from her home during the ceremony, Karla Dickens said she was "over the moon", and thanked her friend for "acknowledging everybody up here on Bundjalung Country that has gone through so much".</p> <p dir="ltr">"I'm so proud of you, Adam. Such a killer painting," she added.</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

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